Aki Mori was born and educated in Japan before moving to California in 1968. She holds a B.A. in Japanese Literature and a M.A. in Pedagogical Linguistics, and taught Japanese Language at numerous institutions throughout the San Francisco Bay area until retirement in 2005.
She studied Art History at Graduate School of Waseda University in the 1960’s, and Printmaking at the Graduate School of San Francisco Art Institute in the 1970’s.
Her interest in photography grew in the 1980’s, and eventually became her medium to represent her ideas. The function of photography to freeze the proof of a visual experience is a necessity to her. The strength of photography to seal the existence of objects is inevitable, identifying objects as individual elements simultaneously to their being a part of a greater assembly.
When I photograph something, I try to capture how that object insists on its existence, regardless of its external being. Whether it is an active animal, or a crouching rock, it insists on occupying the space of its physical volume. The volume of a sheet of paper is minimal, yet I can certainly see how it makes its own space by pushing the air away. I am trying to capture that insistence.